The Enterprise Centre for the Creative Arts, now known as Student Enterprise and Employability for UAL, was one of our first weekly contracts and was exactly the type of venture that Thinking Flowers? aimed to collaborate with, bringing together our fields of interest – creativity and business. ECCA gave its users the opportunity to innovate and supported them through mentoring, funding, seminars and practical business workshops.
In 2005, having noticed the beautiful glass corner office they had, located inside the London College of Communication building, I pitched with them for a regular table top floral installation. We thought it would be a great opportunity for our designs to be widely viewed and to create a positive impact for the staff and students.
The contract allowed deep critical thinking around the design, aesthetics and influence of the environment on our installations – ie. site-specific designs. In addition we could think about the purpose of flowers in our work spaces and how we could combine our installations with the ethical practices that embodies Thinking Flowers?.
While a decade ago the idea of ethical practices that involved both social and environmental concerns may have seemed out of place in the business world, and were perhaps a little wacky at the time, Marice Cumber, who was the director of ECCA at the time, nevertheless gave us a chance. We were nominated for the ECCA’s Best Social Enterprise of Ethical Business Award in 2010.
The images below are a selection of some of our favourite table top installations.
The space being quite clean and open allowed for a lot of experimentation. We were going through quite a green period and used tall elegant green goddess calla lilies and steel grass to form layered textures in different hues.
Green Thistles, Ivy, White Roses, Steal Grass, fountain grass, Hypericum, Veronica
Gloriosa Lily, Bottle brushes, Grevilla
The office interior was sleek, modern and with colourful highlights, yet remaining somewhat industrial. Reflecting this in the above design, the use of the black vase suggested black ink in the context of an office environment and contrasted with the bright gloriosa lilies which bring light and colour to the room. The use of inky blue gervilla fitted with the wispy language of the emu grass (asparagus fern) and bottle brushes.
Tropical plants such as heliconia and anthurium were common in our designs at the time and we still love to use the Rainforest Alliance for these, for example in at the V&A Fair Trade Floral Design workshop that we curated.